with guest Tim Barry
Tickets $35.00 + s/c
19 Years and Older (2 Pieces of Gov't Issued ID Required)
Doors 8:00pm / Show 9:00pm
Produced by Live Nation
About Tiger Army:
Southern Cal punksters Tiger Army have been honing their psychobilly twists since 1995, playing gigs around the Bay Area where Operation Ivy, Rancid, and Green Day made names for themselves. By 1997, Tiger Army dealt with departing bandmates as well as scoring recognition from Rancid's Tim Armstrong. Singer/songwriter and guitarist Nick 13 was the only member left in Tiger Army yet still formed a union with Armstrong's Hellcat Records. Two years later, Nick, AFI drummer Adam Carson, and Quakes bassist Rob Peltier headed into the studio to begin recording Tiger Army's self-titled debut, which was issued in December 1999. By year's end, Geoff Kresge was added to play standup bass. Tiger Army was finally becoming a band, and in 2001, they issued Tiger Army II: Power of Moonlite. Later that year, SoCal local Fred Hell joined on drums and Tiger Army hit the road in support of their sophomore effort as an official rock group. They shared dates with Dropkick Murphys, Reverend Horton Heat, and the Damned, as well as Hellcat's first Punks vs. Psychos tour; a spot on Warped followed into 2002. As the band prepared for the recording of their third album in spring 2003, Hell was shot four times during a botched break-in at a friend's apartment. He survived wounds to the back, chest, and head but was unable to physically play in the studio. Drum tech Mike Fasano temporarily stepped in for him while Hell remained present throughout the studio sessions. He made a triumphant return, as did Tiger Army, in mid-2003 for a short summer tour with Rancid. The psychobilly-powered Tiger Army III: Ghost Tigers Rise followed in June 2004. Kresge left the band after they had finished another Warped tour; he was replaced by former Cosmic Voodoo and Calavera member Jeff Roffredo. Drummer James Meza was added to the lineup before Tiger Army embarked on another tour, this time supporting legends Social Distortion. They spent part of 2005 touring Europe and Australia before coming home and headlining their own tour of the U.S. In 2006, they began recording sessions with veteran producer Jerry Finn and the result, 2007's Music from Regions Beyond, proved to be the most diverse and commercial-sounding album of their career. The band went on to promote the record with a tour spanning almost two years, and marked the return of Kresge to the lineup. The year culminated in Octoberflame, a festival that the group launched in Southern California in 2008. The following year, Nick 13 launched a solo career. He released his debut self-titled solo album in 2011 via Sugar Hill Records, heralding a slight decline of activity in the Tiger Army camp. The ensemble, however, returned in 2016 with their fifth studio release, V. ~ MacKenzie Wilson, Rovi
About Murder By Death:
Indiana-based Murder by Death first caught the attention of Thursday's Geoff Rickly while playing a gig together one night in their hometown of Bloomington, Indiana. Rickly promptly brought the band, then called Little Joe Gould, to the attention of his friend Alex Saavedra (Eyeball Records owner), and the group was signed immediately. The band comprised vocalist/guitarist Adam Turla, drummer Alex Schrodt, bassist Matt Armstrong, cellist Sarah Balliet, and pianist Vincent Edwards. They issued a 2001 self-titled EP as Little Joe Gould before the band eventually decided to change its name to Murder by Death, taken from the 1976 Neil Simon-scripted comedy of the same name. The bandmembers felt the new name better represented their ominous sound, which combined elements of artists like Nick Cave & the Bad Seeds, Johnny Cash, and the Decemberists.
Their first full-length, Like the Exorcist But More Breakdancing, was released on Eyeball in August 2002. Touring early on with bands like Cursive, Interpol, and the American Analog Set, the band did a summer 2003 split with Volta Do Mar before following up that fall with the well-received Who Will Survive and What Will Be Left of Them? The record was something of a concept album based around the Devil waging war on a small Western town (and the title was another cinematic reference, referring to a slogan used to advertise the horror classic Last House on the Left). A benefit 7" appeared at the year's end in memory of Ten Grand's Matt Davis, and the band continued to turn heads nationwide on tours with the likes of Lucero, the Weakerthans, William Elliott Whitmore, and Rasputina.
Edwards amicably parted ways with the group in mid-2004 to go back to school, and when his touring replacement also left by the year's end, the remaining members of Murder by Death decided to just carry on as a more rock-oriented quartet. Balliet, though, picked up keyboard parts along with her cello. After extensive touring, the bandmembers went back to college for a bit while writing their third album. Murder by Death eventually issued In Bocca al Lupo on their EastWest imprint, Tent Show Records, in May 2006. Another concept album, this one was produced by J. Robbins (Against Me!, Dismemberment Plan), and explored themes of sin and redemption, inspired in part by Dante Alighieri's The Divine Comedy. Touring continued through the summer, including a headlining stint with Langhorne Slim opening.
In March 2008, Murder by Death released Red of Tooth and Claw on Vagrant Records. The band followed up again in 2010 with its fifth studio album, Good Morning, Magpie. Two years later Murder by Death returned with Bitter Drink, Bitter Moon, which found the band taking part in a crowdsourcing campaign through Kickstarter for the vinyl release of the album. The campaign would find them becoming the third highest-earning band since the site launched. The album was eventually released on CD and via digital download by the respected Chicago indie label Bloodshot Records, who also released 2015's Big Dark Love.
~ Corey Apar, Rovi